The Braithwaite · Galleries 1–7

19 Sep 2026 — 21 Feb 2027

Exhibition No. 214

Ultra​ marine Helena Marr — Fifty Years of Blue

Seven rooms. Twenty-one works. One colour, followed for half a century from a Cumbrian salt flat to an unfinished room in Orkney.

Adults £22 · Under-16s free · Members free. Timed entry every 45 minutes. Thursday lates until 21:00.

Room 5 · The Void

2003

Helena Marr The Void (for J.M.) 2003 Dry pigment and resin on board · 2,440 × 1,830 mm
  • 7Rooms
  • 21Works, 1971–2024
  • 9Lenders, four countries
  • 75 minAverage visit

01 — The exhibition

A life spent inside one colour

Curated by Dr Ruth Enderby with Aoife Brennan. Organised by The Braithwaite in partnership with the Halle Verlaine, Antwerp, where the exhibition travels in May 2027.

Dates
19 Sep 2026 — 21 Feb 2027
Galleries
1–7, second floor
Works
21 in total, incl. 3 cyanotype suites
Admission
£22 · under-16s free
Curator
Dr Ruth Enderby
Catalogue
288pp, £35 · shop
Supported by
Kelvin & Chase

Conservation note

Rooms 4 and 7 are lit to 50 lux. The cyanotypes and the late works on paper cannot be shown at full light for more than sixteen weeks in a decade. Give your eyes two minutes at the threshold — the room will look black until they adjust, and then it will not.

Helena Marr was twenty-eight, teaching two days a week in Whitehaven and painting in a rented net loft, when she ground her first half-ounce of lapis lazuli. It cost her a fortnight's wages. She used all of it in one afternoon, on a board eighteen inches square, and later said the panel was worth more than the room she painted it in.

Fifty-three years later she is still working, now from a converted kirk on Hoy. In between she has bankrupted herself twice buying pigment, spent six years making nothing but cyanotypes because the sun was free, and produced — in Room 5 of this exhibition — a wall of saturated blue that the Braithwaite's conservators have measured at 2.44 metres and which several visitors to its first showing in 2004 reported as physically difficult to stand in front of.

This is the first exhibition to gather all seven periods of her work in one building. Nine lenders across four countries have released pieces that have not been in the same room since 1998, including Vat 7 from Antwerp and the unfinished Room with the Window Open, which left Marr's studio for the first time in June 2026.

“People say I paint blue. I don't. I paint what a particular blue costs, and what it does to the wall it is on.” Helena Marr, interviewed in her studio, March 2026

02 — The rooms

Seven rooms, seven blues

The hang follows the pigment, not the biography. Choose a room on the plan to read its wall text, see what is in it, and watch the colour of this page change to the colour of that room. Arrow keys move between rooms.

Second floor · Galleries 1–7

1 SALT FLATS 2 PRUSSIAN 3 INDIGO 4 CYANOTYPE 5 THE VOID 6 NOCTURNES 7 THE LAST ROOMS
01

Salt Flats

1971 — 1978 · Three works

Marr's first blues are cheap and thin, and she knew it.

Lapis lazuli · PB29 #2447C4 · £1,400 a kilo, 1974

Works load with the room.

Audio guide Track 02

Typical dwell 9 min

03 — The wall

Twelve works, hung in order

A single continuous hang, 1971 to 2024, in the order you meet them upstairs. Keep scrolling to travel along it — or swipe the rail on a phone.

The hang is drawn when the page loads.

1971

2024

04 — Tickets

Book timed entry

Entry every 45 minutes, 40 people a slot. Capacity is live — sold-out slots close as they go. There is no booking fee, and you can change your slot free of charge up to 24 hours before.

1 · Choose a date

The next fourteen open days. We close on Mondays except bank holidays.

Dates load with the page.

Open · Busy · Last few · Sold out

2 · Choose a time

Slots show places remaining right now. Last entry is at least 90 minutes before we close.

3 · Who is coming

Under-16s and members go free but still need a place in the slot.

Adult £22.00 · includes the audio guide
2
Concession £16.00 · students, over-65s, Universal Credit
0
Under-16 Free · must be with an adult
0
Member Free · card checked at the gallery door
0

Your visit

Choose a date and time

2 × Adult£44.00
Booking feeNone
Total £44.00

Two adults, date and time not yet chosen.

Free changes up to 24 hours before · Registered charity 1094427 · Gift Aid claimed on eligible admissions only

05 — Press

What they said

Reviewed from the press view on 17 September 2026. The exhibition opened to the public two days later and sold 11,400 tickets in its first six weeks.

Five stars out of five

“The best-hung exhibition in Britain this year. Room five stops you the way weather stops you.”
The Northern Review · Sept 2026

Five stars out of five

“Fifty years of one colour ought to be a gimmick. It is instead a biography, and a rather unsparing one.”
The Mercer Review · Oct 2026

Four stars out of five

“Marr has spent her working life proving that blue is not a mood. It is a material, and somebody paid for it.”
Anthem, issue 44 · Autumn 2026

06 — Programme

Talks, tours and lates

Everything below runs inside the exhibition's five months. Exhibition admission is included unless the listing says otherwise; members book a fortnight ahead of general release.

Showing 8 of 8
  1. Fri 25 Sep19:00 — 20:30
    Helena Marr in conversation with Dr Priya RavalEnderby Lecture Theatre · 180 seats
    £12 / £8
    Returns only
  2. Thu 8 Oct18:30 — 21:00
    Late: Ultramarine After DarkGalleries 1–7 · bar in the atrium · DJ Nasreen Okpara
    £18
    Book
  3. Sat 17 Oct10:30 — 12:30
    Family studio: making blue from a stoneLearning Studio · ages 5–11 with an adult
    Free
    Book
  4. Wed 4 Nov13:10 — 13:50
    Lunchtime tour: pigment, trade and the price of colourMeet in the atrium · 40 minutes · 25 places
    Free with entry
    Book
  5. Sat 14 Nov14:00 — 17:30
    Symposium: The cost of colour, 1400–2026Enderby Lecture Theatre · six speakers · tea included
    £25 / £18
    Book
  6. Thu 10 Dec18:30 — 21:00
    Late: Winter Nocturnes with the Verrall QuartetRoom 6 · two 25-minute sets, 19:15 and 20:15
    £22
    Sold out
  7. Sat 16 Jan09:00 — 11:00
    Relaxed opening: lower light, lower sound, fewer peopleGalleries 1–7 · 60 places · ear defenders available
    Free
    Book
  8. Thu 4 Feb18:30 — 19:45
    Curator's farewell tour with Dr Ruth EnderbyGalleries 1–7 · 30 places · the last one before deinstall
    £10
    Book

07 — Visit

Getting here, and in

The Braithwaite sits on the Bridgewater Canal at the Castlefield end of Wharf Street, eight minutes' walk from Deansgate-Castlefield tram stop and twelve from Manchester Oxford Road.

Opening hours · to 21 February 2027

Opening hours by day, with last entry to Ultramarine
DayMuseumLast entry to Ultramarine
MondayClosed
Tuesday10:00 — 17:0015:15
Wednesday10:00 — 17:0015:15
Thursday10:00 — 21:0019:00
Friday10:00 — 18:0016:00
Saturday10:00 — 18:0016:00
Sunday11:00 — 17:0015:30

Closed 24–26 December and 1 January. Open bank holiday Mondays, 10:00 — 17:00.

Step-free and access

Level entry from Wharf Street, two lifts to the second floor and a Changing Places toilet on the ground floor. Wheelchairs and perch stools are free to borrow from the cloakroom, no deposit. Assistance dogs welcome throughout.

Low light in rooms 4 and 7

Both are lit at 50 lux for conservation. Large-print wall texts are backlit at the entrance to each, and a torch-free magnifier is available from the invigilator.

Travel

Deansgate-Castlefield tram, 8 minutes. Manchester Oxford Road rail, 12 minutes. No visitor car park — the nearest is Whitworth Street West, 220 spaces, £4.60 for three hours. Six Sheffield stands on Wharf Street.

Bags, coats and photography

Bags larger than 40 × 30 cm go in the free cloakroom. Photography without flash is fine in rooms 1, 2, 3, 5 and 6; the loans in rooms 4 and 7 cannot be photographed at all.

08 — Support

Membership pays for the lighting

Members go free to every exhibition, all year, and bring a guest to the lates. Just over a third of what it cost to bring Ultramarine to Manchester came from members and individual donors.

Under-30

£34a year

For anyone aged 16 to 29. The cheapest way into every show we put on.

  • Free unlimited entry to Ultramarine
  • £5 tickets to all lates
  • 10% off in the shop and café
Join

Individual

£58a year · or £5.20 monthly

Our standard membership. Pays for itself in three exhibition visits.

  • Free unlimited entry, no timed slot needed
  • Two-week priority booking on every event
  • Members' room on the second floor
  • 10% off in the shop and café
Join

Joint & family

£92a year

Two named adults and up to four under-16s at the same address.

  • Everything in Individual, twice over
  • Free places at family studio days
  • Two guest passes a year
Join

Patron

£640a year

Directly funds acquisitions and the conservation studio. 118 patrons in 2026.

  • Curator-led private views
  • Two studio visits a year
  • Named in the exhibition catalogue
Speak to Aoife

09 — Questions

Before you come

Anything else, the visitor team answer the phone between 09:30 and 17:00, Tuesday to Sunday, on 0161 496 0180.

Yes for Ultramarine, no for the rest of the museum, which is free and needs no ticket. Members can walk up to the gallery door at any time. If a slot has sold out online there are usually a handful of same-day places released at 09:30 on the door, first come.

Our invigilators' count puts the median visit at 75 minutes, with Room 5 taking almost a fifth of that on its own. Allow two hours if you want the audio guide, which runs to 44 minutes across nine tracks and is included in every adult and concession ticket.

If you are a UK taxpayer and pay 10% more than the standard price, the whole admission becomes a donation and we can reclaim 25% of it from HMRC. In exchange your ticket converts to a free annual pass to Ultramarine — come back as often as you like until 21 February 2027. A £22 adult ticket becomes £24.20, and we recover a further £6.05.

Change your date or slot free of charge up to 24 hours before, from the link in your confirmation email. Inside 24 hours we will move you if there is room in another slot that day. Refunds are given up to seven days before your visit; after that we can only offer a transfer.

Under-16s go free and there is nothing in the show that needs a warning. Rooms 4 and 7 are genuinely dark, which some younger children find unsettling — there is a bench and a lit doorway in both. The family studio on 17 October is built around Room 1, and the trail sheet at the entrance takes about 25 minutes.

It travels to the Halle Verlaine in Antwerp on 14 May 2027 and then to the Fitzhugh Center, Chicago, in November 2027. Four works — the three cyanotype suites and Room with the Window Open — cannot travel and are shown only in Manchester.

Closing 21 February 2027 · then it is gone

Stand in front of it

Room 5 is 2.44 metres of pigment and nothing else. No reproduction of it has ever been worth looking at, including the one on our own poster.

OpensSat 19 Sep 2026
ClosesSun 21 Feb 2027
Adult£22.00
Under-16Free
MembersFree, no slot
Late nightsThursdays to 21:00