Chalk House
A single in-situ concrete wall runs the length of the site; the house happens on one side of it, the garden on the other.
We build with what is left out. Every wall we raise exists to shape the emptiness beside it — light, air, and the silence between rooms.
A single in-situ concrete wall runs the length of the site; the house happens on one side of it, the garden on the other.
A nineteenth-century water cistern re-opened as a single vaulted room for one artwork at a time. Nothing was added that could be revealed instead.
Two tilted planes admit a blade of light that crosses the floor once a day. The congregation sits where the light will be, not where it is.
A regional archive sunk into the granite quarry that built the town. The reading room floor is the quarry bed, swept but uncut.
We are a studio of eleven, working slowly, on few things. Each project begins with a long silence: weeks on site before a line is drawn, watching where the light falls in the morning and where people stand without being told to. What we build afterwards is an attempt to make those observations permanent.
Our material vocabulary is deliberately narrow — concrete, lime render, unpainted timber, and glass held in the thinnest frame the engineer will tolerate. A narrow vocabulary forces precision. When you cannot reach for a new material, you must reach instead for a better proportion, a truer joint, a quieter junction between wall and sky.
We measure our success not at handover but a decade later: whether the building has weathered into its place, whether its rooms are used as they wished to be used, and whether the emptiness we protected is still empty. Mass is what we are paid for. Void is what we are remembered by.
— E. Marlowe & T. Ferreira, founding partners
| Year | Award | Project | Citation |
|---|---|---|---|
| 2025 | European Prize for Contemporary Architecture — Finalist | Chalk House | “A wall that behaves like a horizon.” |
| 2024 | RIBA National Award | Chalk House | Domestic architecture, exceptional merit |
| 2022 | FAD Award, International | Cistern Gallery | Adaptive reuse |
| 2020 | Nordic Sacred Space Prize | Meridian Chapel | “Light treated as a liturgical material.” |
| 2018 | Swiss Civic Architecture Medal | Quarry Archive | Public buildings under 5,000 m² |
| 2016 | Emerging Practice of the Year — Shortlist | Studio | International jury citation |